The conference took place in the Jill Craigie Cinema and Roland Levinsky Crossroads (Roland Levinsky Building) at Plymouth University.
The conference dinner happened the evening before, on 8/SEP/2015 at 19.30 at the River Cottage, Royal William Yard (pre-registration required – if you haven't, get in contact with the conference administrator).
| Time | Title | Presenter |
|---|---|---|
| 08:00 | Registration, tea, coffee and pastries | |
| 09:00 | Welcome | Sue Denham |
| 09:15 – 10:45 | Event Spaces of Infinite Perspective | Mathew Emmett, Adam Benjamin, Frank Broz |
| Cognitive Innovation and Framing in Documentary Film Practice | Catalin Brylla | |
| From Conceptual Blending to Procedural Blending: Applying a model of cognition to process in sound art practice | Iris Garrelfs | |
| 10:45 | Coffee break | |
| 11:15 – 12:45 | Art in Action: Does recreating motion performed during art production help increase appreciation at the time of viewing? | Ben Dyson |
| The Contact Sheet in Close Up | Jacqui Knight | |
| Creativity as Correspondence in Humanitarian Engagement | Pamela Cajilig and Diego S. Maranan | |
| Electrophysiology of Cinema Spectatorship | Guy Edmonds | |
| Perception of Intended Emotion in Drawings by Non-artists | Diane Humphrey | |
| 12:45 | Lunch | |
| 13:45 | Plenary: New Forms of Art-Science Collaboration: Case Studies | Roger Malina |
| 14:45 – 16:45 | The Formational Imaginaries of Space Technology as an Issue of Cognitive Innovation | Joanna Griffin |
| The Affective Embodiment of Testing Tools and Their Influence on Experimental Outcomes | Agi Haines, Kathryn Francis and Raluca Briazu | |
| Catastrophe, Sense of Crisis, Cultural Expressions | Yutaka Nakamura | |
| (How) Does Play Matter? | Chun-Wei Hsu, Pinar Oztop, Michael Straeubig, Mihaela Taranu | |
| 17:30 – 18:30 | Poster + session with drinks and nibbles | |
| Morrisland Map | Peter Jones | |
| Get ready for an idea: interactive poster presentation on conditions and metrics for creativity | Frank Loesche | |
| Interactive image gallery "Transcending Academic and Epistemic Boundaries: Psychoactive tryptamines and the frontiers of human exploration" | Christopher Germann | |
| showcasing of a vintage film projector | Guy Edmonds | |
| Perception of Intended Emotion in Drawings by Non-artists | Diane Humphrey | |
| Critically understanding the combined use of creative movement, technological mediation and human interaction. | Abigail Jackson | |
| Exploring the Curatorial as Creative act | Edith Doove | |
| Capturing Trauma | Nick Peres | |
| The impact of technological constructivism on representation and diversity in videogames Wunderkammer Transtech seminar series 15/16: Objects of Affect and Affection | James Sweeting | |
| Time | Title | Presenter |
|---|---|---|
| 08:30 | Coffee and pastries | |
| 09:00 – 11:00 | The Pretty Hard Problem of Creativity | Jack McKay Fletcher |
| Memory and the New Unconscious | Sowon Park | |
| Hypnosis, Telepathy and the Modern subject | Eugenia Stamboliev | |
| Quantum Creativity: Robert Creeley and self-reflective wholeness | Gi Taek Ryoo | |
| 11:00 | Coffee break | |
| 11:30 – 12:30 | Plenary: Art and the Brain: Plasticity, Embodiment, and the Unclosed Circle | Amy Ione |
| 12:30 | Lunch | |
| 14:00 | Panel discussion | Chair: Roger Malina |
| Cognitive Innovation: Roadblocks, challenges and opportunities | Sue Denham, Martha Blassnigg, Hannah Drayson, Sowon Park | |
| 15:30 - 15:45 | Closing remarks | Michael Punt |
Find all the abstracts in the form they were published before the conference at the abstract page and the proceedings at the University's Pearl archive. You can also watch video recordings of all three keynotes.